Judith Weisenfeld
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Curriculum Vitae


Apostles of Race: Religion and Black Racial Identity in the Urban North, 1920-1950 (in progress)

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In this study I explore the intersections of religion and racial identity among people of African descent in the urban North in the first half of the twentieth century. The project focuses on a number of religious movements that emerged in this period in which members promoted alternative understandings of black racial identity and sacred destiny to the dominant narratives provided by mainstream black Protestant churches.  Using the Moorish Science Temple, Father Divine's Peace Mission Movement, congregations of Ethiopian Hebrews, and the Nation of Islam as primary cases studies, I consider the challenges that the groups' visions of race and religion as linked presented to American society and the modes through which members experienced and expressed their religio-racial identities.

Hollywood Be Thy Name: African American Religion in American Film 1929-1949 (University of California Press, 2007)

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From the Publisher: From the earliest years of sound film in America, Hollywood studios and independent producers of "race films" for black audiences created stories featuring African American religious practices. In the first book to examine how the movies constructed images of African American religion, Judith Weisenfeld explores these cinematic representations and how they reflected and contributed to complicated discourses about race, the social and moral requirements of American citizenship, and the very nature of American identity.

Drawing on such textual sources as studio production files, censorship records, and discussions and debates about religion and film in the black press, as well as providing close readings of films, this richly illustrated and meticulously researched book brings religious studies and film history together in innovative ways.



African American Women and Christian Activism: New York's Black YWCA, 1905-1945 (Harvard University Press, 1997)

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From the Publisher: The middle class black women who people Judith Weisenfeld’s history were committed both to social action and to institutional expression of their religious convictions. Their story provides an illuminating perspective on the varied forces working to improve quality of life for African Americans in crucial times.

When undertaking to help young women migrating to and living alone in New York, Weisenfeld’s protagonists chose to work within a national evangelical institution. Their organization of a black chapter of the Young Women’s Christian Association in 1905 was a clear step toward establishing a suitable environment for young working women; it was also an expression of their philosophy of social uplift. And predictably it was the beginning of an equal rights struggle--to work as equals with white women activists. Growing and adapting as New York’s black community evolved over the decades, the black YWCA assumed a central role both in the community’s religious life and as a training ground for social action. Weisenfeld’s analysis of the setbacks and successes closes with the National YWCA’s vote in 1946 to adopt an interracial charter and move toward integration of local chapters, thus opening the door to a different set of challenges for a new generation of black activists.

Weisenfeld’s account gives a vibrant picture of African American women as significant actors in the life of the city. And it bears telling witness to the religious, class, gender, and racial negotiations so often involved in American social reform movements.


This Far By Faith: Readings in African American Women's Religious Biography, co-edited with Richard Newman (Routledge, 1996)

From the Publisher: This Far By Faith brings together a collection of essays on the religious identities and experiences of African-American women. Spanning from the period of slavery to the present, the essays profile American figures such as Sojourner Truth, Harriet Tubman, and Willie Mae Ford Smith, exploring the role that religious institutions and impulses played in their lives.
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